Issue #8

Two Poems by Felino Soriano


Painters’ Exhalations 371
—after Edmunds Lucis’ The Hunter

Hands, hefty thickness,
innate skeletal construction, forthcoming
predetermined
unaltered scope, target-escape
unlikely demeanor. Head
an extraordinary still. Eyes
roam in oscillating fashion,
ambulate into distance of
ascertaining ignorant prey.
Senses, serial in gradating
grace, the armor of attack
untouched by the runners
into swallowing, devastating
expanse.


Painters’ Exhalations 375
—after Dale Grimshaw’s Window to the Soul

Copacetic cliché
bound to the language-fib
conundrum,
belief sans empirical
clothing. Soul window
stained, hummingbird wing
apparatus visual disbelief
holding value in a vernacular
staircase leading into unknown
regions of philosophical inquiry.
Soul, existent, or, a fabrication
of structural design
waving eastwest among the
wind’s weight delegated to
construct formational harmony.


Biography Note:

Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, www.differentiapress.com, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, http://www.felinosoriano.com/.


Two Poems by Gary Beck


Ode to Dave Dawson and Freddie Farmer

I remember your books
blighting my childhood lust for learning,
reading you over and over,
when nothing else was left.
You were always winning;
sometimes wounded, but always winning.
Vacuum sealed for freshness, inventive,
heroic, resourceful, and always winning.
The Japs, the Jerries, so easily defeated,
you would have even beaten the commies,
but I grew up, ending your wars.
Today a man,
I smile your asinine morality
that rooted in my child’s mind
and wonder what you did for fun
after crushing the enemy.


Crash Landing

After moon set
wing tips lost in darkness
flickering lights at 30,000 feet
transit the airborne traveler.
Centuries below
clouds pitter patter
little girl toes
digging in the sand.
The endangered bird
flails the air,
hiccups an octopus explosion
that frees the stewardess,
rigid smile waxed in place,
offers coffee, tea, chocolate,
as the last hand gropes blindly,
veins surfacing in the pantry,
reaching for survival.


Biography Note:

Gary Beck has spent most of his adult life as a theater director and worked as an art dealer when he couldn't earn a living in the theater. He has also been a tennis pro, a ditch digger and a salvage diver. His chapbook 'Remembrance' was published by Origami Condom Press and 'The Conquest of Somalia' was published by Cervena Barva Press. A collection of his poetry 'Days of Destruction' has been published in 2009 by Skive Press. Another collection 'Expectations' is being published by Rogue Scholars Press. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway and toured colleges and outdoor performance venues. He currently lives in New York City , where he's busy writing. His poetry and short stories have appeared in numerous literary magazines.


Two Poems by Mark Jackley


AFTER BEING UP ALL NIGHT
AS HER HUSBAND EXPLAINED HE WAS LEAVING

Soon she moved to Baton Rouge,
where lost souls washed up
from New Orleans, some of whom
perhaps would also greet the day
clutching their ribs, bobbing
tearfully as morning
bled into the bedroom like a slow,
quiet flood of words.


AND

the drunken fifty-year-old
carpenter who leans against
the chain-link fence puking his guts out after hurling
his whiskey bottle
(finally)
through the living room window and
the slumping telephone
cable above him burdened by the weight of all those angry,
tearful and inadequate words
yet defying gravity,
held up by the strength
of something hard and splintered,
teetering and weathered, shit upon for years,
made by calloused hands
much like his


MONUMENTAL SCRAPINGS
Jeffrey S. Callico

Harbingers of delight these skeptics.
Forms shift upon dark piano benches.
Lovers crawl on shards,
Their droplets red reminders of rage.
No one knows why and so they stay
Alive, lights dotting skylines, muddy faces
Caked like bricks; even a mist cannot console.
Swallows crash to pavement, wings
Sudden displays of terror, undergrowth of night.
All warnings exhausted, legs running out:
Space left for nothing, tender shoots frail as death.


Biography Note:

Jeffrey S. Callico has been featured in several online literary journals, including FRiGG, Johnny America, Dispatch, Origami Condom and Full of Crow. His collection of short fiction, Fighting Off The Sun: Stories, Tales, and Other Matters of Opinion, is available on Amazon. He can be reached at wiredwriter26@gmail.com.


Who Cut The Cheese
Peter Magliocco

Fart jokes plug your nostrils
with smells of urban pollution
in the key of broken violin strings
sounding like zippers snapping off
faces of the dead Mandalay Bay chorus
assaulted by jokes of a suicide bomber
barfing out punch lines with sickening zeal
somebody tells you the world ended
yesterday after you received a cell call
giving you pinkeye forever

That's when your girlfriend materialized
with duct-taped nipples
from back issues of Smut Today

lit with a match
behind that rectal gas
igniting

your
exhausted
passion


Biography Note:

Peter Magliocco writes from Las Vegas, Nevada. He has poetry at THE SMOKING POET, A HUDSON VIEW POETRY DIGEST, THE BEAT, HEELTAP, THE BLUE HOUSE and elsewhere... His new novel is The Burgher of Virtual Eden from Publish America (www.publishamerica.com). He was Pushcart nominated for poetry in 2008.

Issue #7

Two Poems by Joanna Valente


She Was An Awkward, Quiet Child

What are you saying? I asked. She spoke

so gently across the table as though forks

& spoons would curl & glasses would splinter.


I'm talking to my unicorn, he says he likes you;

she seemed affronted I could not see anything

other than an empty seat next to her, where


her father used to be. Is he hungry, does he want

to eat anything? I asked almost amused, but not quite.

He doesn't eat people food, most of it makes him


sick, except peas. I gave him some of mine.

Laughing, I cleared away our plates & ran them

under hot water knowing she was better than I.


The Regular

He was eating. The waitress poured coffee

into his cup, tenderly falling homeward

some streaming onto the saucer, ringing around.


There were coffee rings on the end table in his

mother's house. His father didn't give a damn about

furniture, not when it couldn't scream from beneath


the weight of all the books. Moscow

was just like North Carolina, all of it furniture

furniture from your aunt & uncle, furniture


waiting outside on the curb

to be picked up by women, not girls. Fritz, is this

going to be it? the waitress asked like he was


her father (who moved out with a

young girl almost her age.) He was surprised

that Fritz was still his name, it hadn't changed


like his body shrinking (could it one day

be gone? like the snowman he made at eight

before they moved.) No, that will be it, he said, indefinitely.


Biography Note:

Joanna Valente lives in New York, and is currently completing her bachelor's degree in Creative Writing and Literature. She has been published in various magazines and one upcoming anthology from Uphook Press. A few of her favorite things include the smell of library books, museums and the ocean. She can be found at her blog: anoldconversation.tumblr.com


The Sunflowers' Roar
Sandy Benitez

In the cutting garden,
sunflowers tilt their faces
towards the sun. Wait for
the shock of heat to
awaken their lazy limbs.

Black eyes steal glances
behind golden manes;
once outrageous and wild,
tousled from the bi-polar wind
as The Scorpions' Rock me Like
a Hurricane whips by
from an aging radio.

With a roar, they proclaim
their strength to the alert
ears of corn in the field
and the crows who fly in formation,
cawking curses in unison.

Maybe this time, the lady
of the house will take notice
and carry them far away--
to the porch, the dining table,
or even the farmer's market.

Anywhere but here,
where time buries its head
in the dirt among the seeds
and purring has become
an afterthought.


Biography Note:

Sandy's poetry has appeared in over 85 print and online poetry journals such as Words-Myth, Falling Star Magazine, Chantarelle's Notebook, Tipton Poetry Journal, The Orange Room Review, Elimae, Lily, and Loch Raven Review. Sandy resides in Wyoming with her two hyper children and darling husband. Her first book of poetry, Ever Violet, by DN Publishing is available by contacting the author at SandyB1070@msn.com.


Two Poems by Stephen Jarrell Williams


Clock Ticking

This fit of time
trying
to squeeze us
into a whimper of submission,
with its snake head,
bear's body,
vulture claws,
underdeveloped wings.

Scream...
Wiggle loose...
Fight back with the vastness of our numbers.

Tomorrow is already here.


Turn Of The Night Runner

Run me into the ground.
Sit on my back, spreading your legs,
huffing from the chase
I let you win.

Pull my hairy head back.
Slit my throat with your fingernail.
Watch me pour
heat into the wilting grass.

I roar with the beasts
you've saddled in the past,
except I created the fire
within the whisk of your existence.


Biography Note:

Stephen Jarrell Williams' poetry has recently appeared in Aphelion, Fissure Magazine, Hungur, Liquid Imagination, Mirror Dance, Tales From The Moonlit Path, and Scifaikuest.


Backlash
John Grey

Late Spring, chilly Canadian backlash.

The forest’s up in arms,

thin wind-shaken limbs,

with buds about to burst.

Pollen freezes in the air.

The hungry lose their appetite

to flakes of snow.


The frog’s croak is a bitter one.

Brown ponds shudder with ice.

Chickadees bite down on their mating calls,

huddle in the prickly brush.

Once more, survival trumps nest building.


The change came and then it didn’t.

The landscape fell for an ancient trick.

The thaw was a lie, insatiably believed.

The air grows cold. The faith grows colder still.


Biography Note:

John Grey has been published in the Georgetown Review, Connecticut Review, South Carolina Review and The Pedestal. He also has work upcoming in Poetry East and The Pinch.


Porn of the Dead
P.A.Levy

The only way to to tell the living,
those sitting there watching
news reports, from those that return home,
laid to rest, is a slight movement
of the chest. But watching
somehow it makes all less real,
and something not to be mentioned
when queuing in the Post Office
like watching porn in the afternoon;
curtains drawn.

It’s all about dying,
and dying a good death.
Praise be
a climax
between clean white cotton sheets
and the money shot final breath;
cut to a blissful smile …
fade.

The fluffers
and the spin swingers
can carry a flag beautifully,
(practice makes perfect)
and with clipboards and Biros
count body bags
like used condoms
wrapped in Union Jacks
and call it glory.

Pass the tissues.


Biography Note:

P.A.Levy hides in the heart of Suffolk countryside (UK) learning the lost arts of hedge mumbling and clod watching. He is an original member of the Clueless Collective (http://www.cluelesscollective.co.uk/) and has been in many publications.